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  City Winery - New York
URL
Address: 155 Varick Street
City: New York
State: NY
Date Time Event Description
Apr-21-18 08:00 PM Martin Sexton featuring reunion with Joe Bonadio on drums About:

Remember that mix tape your friend made you way back when - the one that's etched in your soul?  Martin Sexton's new album Mixtape of the Open Road is that musical cross-country trip, blazing through all territories of style, as you cruise through time and place. This record is a charm bracelet of twelve gems all strung together with the golden thread of what Rolling Stone calls a  "soul marinated voice."  

A native of Syracuse, N.Y., and the tenth of 12 children, Martin Sexton grew up in the ’80s.

Uninterested in the music of the day, he fueled his dreams with the timeless sounds of classic rock ’n’ roll. As he discovered the dusty old vinyl left in the basement by one his big brothers, his musical fire was lit. Sexton eventually migrated to Boston, where he began to build a following singing on the streets of Harvard Square, gradually working his way through the scene. His 1992 collection of self-produced demo recordings, In the Journey, was recorded on an old 8-track in a friend’s attic. He managed to sell 20,000 copies out of his guitar case.

From 1996 to 2002 Sexton released Black Sheep, The American, Wonder Bar and Live Wide Open. The activity and worldwide touring behind these records laid the foundation for the career he enjoys today with an uncommonly loyal fan base; he sells out venues from New York’s Nokia Theatre to L.A.’s House of Blues, and tours regularly across Canada and Europe.

Happily and fiercely independent, Martin Sexton launched his own label, KTR, in 2002. Since then he has infiltrated many musical worlds, performing at concerts ranging from pop (collaborating with John Mayer) to the Jam scene to classic rock (collaborating with Peter Frampton); from the Newport Folk Fest to Bonnaroo to New Orleans Jazz Fest to a performance at Carnegie Hall.

Regardless of his reputation as a musician’s musician, Sexton can’t keep Hollywood away. His songs can be heard in many feature films and television including NBC’s Scrubs, Parenthood and Showtime’s hit series Brotherhood.

Stage, film and television aside, when Sexton isn’t touring he often mixes entertainment with his sense of social responsibility, performing at benefits for Paul Newman’s Hole in the Wall Gang camp, the Children’s Tumor Foundation, Japan earthquake/tsunami relief (The John Lennon Tribute), and Hurricane Irene relief efforts in Vermont, to name some.

In 2007 Sexton began his most successful years to date with the release of his studio offering Seeds. The album debuted at #6 on Billboard’s Heatseekers chart, and the Los Angeles Times said, “Call him a soul shouter, a road poet, a folkie or a rocker and you wouldn’t be wrong.”

The live CD/DVD set Solo, which includes a DVD of his performance at Denver’s Mile High Festival, followed in 2008.

In 2010 the album Sugarcoating found this one-of-a-kind-troubadour doing what he does best: locating larger truths. After hearing it, NBC anchor Brian Williams sought Martin out to sit down for an interview backstage at New York’s Beacon Theatre. It’s now featured on MSNBC’s BriTunes.

The accolades continue. Billboard called Sexton’s version of “Working Class Hero” for the Lennon tribute/benefit in 2010 “chill-inspiring.” Released this November as part of The 30th Annual John Lennon Tribute album, the track is available on iTunes.

 

Apr-21-18 08:00 PM Music at City Winery New York Great Intimate Concerts at City Winery NY

From rock legends, folk acts and jazz quartets to incomparable hip-hop artists and buzz-worthy indie rock bands, this innovative venue is serving up some of the best music the city has to offer -- along with some of its finest vintages. New York's City Winery is a truly unique facility, combining a fully functioning winery with intimate concerts, food and wine classes and fine dining. The brainchild of Michael Dorf, founder of the hugely successful Knitting Factory, City Winery is a vibrant, interactive space where folks can not only listen to great music, but also make their own wine, indulging their passion for quality cuisine, art and friendship.
Apr-22-18 11:00 AM Isle of Klezbos with special guest Natalia Zukerman- 4.22
Apr-22-18 08:00 PM Martin Sexton (4th Show Added By Popular Demand!) About:

Remember that mix tape your friend made you way back when - the one that's etched in your soul?  Martin Sexton's new album Mixtape of the Open Road is that musical cross-country trip, blazing through all territories of style, as you cruise through time and place. This record is a charm bracelet of twelve gems all strung together with the golden thread of what Rolling Stone calls a  "soul marinated voice."  

A native of Syracuse, N.Y., and the tenth of 12 children, Martin Sexton grew up in the ’80s.

Uninterested in the music of the day, he fueled his dreams with the timeless sounds of classic rock ’n’ roll. As he discovered the dusty old vinyl left in the basement by one his big brothers, his musical fire was lit. Sexton eventually migrated to Boston, where he began to build a following singing on the streets of Harvard Square, gradually working his way through the scene. His 1992 collection of self-produced demo recordings, In the Journey, was recorded on an old 8-track in a friend’s attic. He managed to sell 20,000 copies out of his guitar case.

From 1996 to 2002 Sexton released Black Sheep, The American, Wonder Bar and Live Wide Open. The activity and worldwide touring behind these records laid the foundation for the career he enjoys today with an uncommonly loyal fan base; he sells out venues from New York’s Nokia Theatre to L.A.’s House of Blues, and tours regularly across Canada and Europe.

Happily and fiercely independent, Martin Sexton launched his own label, KTR, in 2002. Since then he has infiltrated many musical worlds, performing at concerts ranging from pop (collaborating with John Mayer) to the Jam scene to classic rock (collaborating with Peter Frampton); from the Newport Folk Fest to Bonnaroo to New Orleans Jazz Fest to a performance at Carnegie Hall.

Regardless of his reputation as a musician’s musician, Sexton can’t keep Hollywood away. His songs can be heard in many feature films and television including NBC’s Scrubs, Parenthood and Showtime’s hit series Brotherhood.

Stage, film and television aside, when Sexton isn’t touring he often mixes entertainment with his sense of social responsibility, performing at benefits for Paul Newman’s Hole in the Wall Gang camp, the Children’s Tumor Foundation, Japan earthquake/tsunami relief (The John Lennon Tribute), and Hurricane Irene relief efforts in Vermont, to name some.

In 2007 Sexton began his most successful years to date with the release of his studio offering Seeds. The album debuted at #6 on Billboard’s Heatseekers chart, and the Los Angeles Times said, “Call him a soul shouter, a road poet, a folkie or a rocker and you wouldn’t be wrong.”

The live CD/DVD set Solo, which includes a DVD of his performance at Denver’s Mile High Festival, followed in 2008.

In 2010 the album Sugarcoating found this one-of-a-kind-troubadour doing what he does best: locating larger truths. After hearing it, NBC anchor Brian Williams sought Martin out to sit down for an interview backstage at New York’s Beacon Theatre. It’s now featured on MSNBC’s BriTunes.

The accolades continue. Billboard called Sexton’s version of “Working Class Hero” for the Lennon tribute/benefit in 2010 “chill-inspiring.” Released this November as part of The 30th Annual John Lennon Tribute album, the track is available on iTunes.

Apr-22-18 08:30 PM Towne at City Vineyard
Apr-23-18 06:45 PM Blind Tasting Class: Climate, Terroir and Vintage
Apr-23-18 08:00 PM The Losers Lounge Tribute To The Band's Last Waltz: A 40th Anniversary Celebration About:
Apr-25-18 08:00 PM Joseph (Trio) w/ Becca Mancari About:

Joseph:

There is nothing like the sound of siblings singing together. Whether it’s the Beach Boys or the Everly Brothers—or, more recently, First Aid Kit—absorbing the same breathing rhythms and speech patterns adds an element to vocal harmonies that can be pure magic. With the release of I’m Alone, No You’re Not, the mesmerizing, hypnotic sound of the trio known as Joseph—made up of sisters Allison, Meegan, and Natalie Closner—joins this elite company.

“It’s just second nature, like a fifth limb that’s already on you,” says first-born Natalie. “There’s an ability to anticipate what’s going to happen and blend with it. When Meegan and Allison sing, they know exactly what I’m going to do and when.”

But the Closners didn’t actually start singing together when they were growing up in Oregon, the children of artistic parents (their dad was a jazz singer and drummer, their mom a theater teacher). Natalie was the performer—“the older sister who stood on the edge of the fireplace and told everyone, ‘Watch me!,’“ she says. Twins Meegan and Allison stayed out of her lane, joining in for their mother’s musical theater productions but otherwise avoiding the spotlight.

When Natalie was in college, she began pursuing music more seriously. The summer before her senior year, she went to Nashville to check out the scene and work on her guitar playing and songwriting. She had recorded an EP and done a few rounds of touring when a friend sat her down one day.

“It was kind of dramatic,” she says, “He took me aside and said, ‘I don’t think you really believe in this.’ It stopped me in my tracks.” She thought deeply about the music she was making and had a curious epiphany; she decided to ask her sisters if they would consider singing with her.

Initially, they didn’t really get it. “We thought she was asking us to be background singers, so we didn’t take it that seriously,” says Allison. “It was more commitment than I was expecting—I even tried to leave at one point, but after a while, I was convinced.”

A transformation occurred when the Closners were in the process of recording their first album, Native Dreamer Kin. At the time, they were calling themselves Dearborn, but their producer felt that the name didn’t fit the strength of the music. They went to visit their grandfather Jo, in the eastern Oregon town of Joseph. Allison made a playlist for the trip and called it “Joseph,” which is what influenced the band’s name.

“Once she said it, it just hit us all—that’s what this is and who we are, these are the sounds of the land that we’ve lived on,” says Natalie.

With this new sense of themselves, Meegan and Allison began taking a more active role in the group’s songwriting. Meegan notes that while the process was a “totally new journey” for her, it felt similar to the candor and vulnerability of her long-time journaling—just “pulling out the gold and arranging that into neater lines.”

She and Natalie both point to the song “Honest” as a keystone for the development of I’m Alone, No You’re Not. “We were trying really hard to write a song, but nothing was coming,” recalls Natalie. “One night, Meegan was working on some lyrics and getting frustrated, so she wrote in the margin of the page, ‘I can’t say a true thing. It’s hard to be that honest.’ Immediately after that, her most honest sentence spilled out—‘There’s always two thoughts, one after the other: I’m alone. No, you’re not.’ And she thought, ‘Oh, there’s the song.’ “

Meanwhile, the group was cultivating a devoted fan base in the most traditional ways possible: touring the Western states playing living room shows, backyard parties, and secret house party gigs; reaching an audience directly through such platforms as Noisetrade; selling their self-released CD and building a loyal following step by step. By the time they were approached by ATO Records, Joseph had already built a strong community of fans on its own.

As they moved toward making their second record, the project took an additional turn when the Closners decided to work with some other songwriters in Los Angeles. “We were afraid of it at first because the songs were more pop than we were used to writing,” says Meegan, “but as we internalized them, they started becoming super-important to us.”

They point to “More Alive Than Dead,” co-written with Ethan Gruska, as an example of these contributions. “That song describes an experience with a partner where you have hard things in your combined past,” says Natalie. “You’re haunted by them until you realize that those things are dead, and as long as you dwell on them, you’re missing the real live person in front of you.”

She adds, though, that Gruska was critical in clarifying and sharpening the nuanced emotion of the lyric. “When Ethan sent us back the demo, I lost it, He was able to see the heart of the song and bring it out, cut to the core of what I was trying to say.”

Finally, the women of Joseph recorded the album with acclaimed producer Mike Mogis (Bright Eyes, Jenny Lewis, First Aid Kit) at his studio in Omaha. He was able to open up their expansive, evocative vocal sound with powerful and striking arrangements, adding depth while highlighting their haunting intensity.

“This was our first time doing a recording like this,” says Natalie, “and we learned so much about creativity. Mike is a genius, and he’s just a total maniac as a musician, so he took these bare bones songs and brought them to life with lush, gorgeous textures and sounds.”

The initial reaction to the music on I’m Alone, No You’re Not has been remarkable. Joseph was selected as a #SpotifySpotlight artist, and booked for festivals including Bonnaroo, Pickathon, and Sasquatch even prior to the release of the single “White Flag,” a song inspired by an article predicting a massive earthquake for the Pacific Northwest.

“Reading that created a heaviness that was making us jumpy, scared, and miserable,” says Natalie. “It became clear we had two options: be scared and cowering, backing away from the world into paralysis, or keep moving and live. Defy fear. Wear peace. Find better ways to love the people in our lives instead of huddling together like frightened sheep thinking about earthquakes.”

Most rewarding for the Closner sisters has been feeling the audience response to the new songs, as they tour supporting such artists as James Bay and Amos Lee. “This is really when you learn what’s special about a song, or if it’s special,” says Natalie. “It’s this crazy firecracker thing that happens—‘Am I feeling something? Is anyone? What is this song, what does it do, which parts make the most sense?’

“It really is about connection with people, and we’re so grateful we’ve gotten the chance to do that. This has been a totally wild journey, and we’re constantly blown away with possibility of what could be.”

 

Becca Mancari:

 

Becca Mancari is rewriting the rules. Born in Staten Island, New York, to an Italian-Irish preacher and a Puerto Rican mother, Mancari has lived a life of transition - from working as a janitor in South Florida, to writing songs with train hoppers in the Blue Ridge Mountains and seeking spirituality in India. But it was her time in Virginia and Nashville where she found the roots music that would continue to inspire her musical evolution to today. 

Her anticipated debut album, "Good Woman," is hauntingly lonesome, with dust-cloud swells of electric guitar and don't-look-back lyrics revealing scenes from Mancari’s well-travelled story. She recalls, “I remember being 19, and I would go to this old warehouse where a bunch of old timers would be siting around picking and drinking moonshine…and we are talking straight up moonshine." During this time, Mancari's curiosity to see the world with eager, fresh eyes grew, drawing her to travel and experience all types of people and places. Her travels would inevitably impact her music; since her music is the landscape of all she's seen, “Good Woman” evokes the sound of city grit and the mountain music of her youth, swirling into a fresh, nostalgic sound.

Mancari explains that she wants her music to be familiar to audiences, but also pushing creative boundaries, rewriting the rules for her genre. She explains, “Our hope is that we’re doing something that respects the roots but also has space and the galaxy in it.” It's these planetary frontiers, along with the powerful fragility in her voice, that make Mancari's music beyond standard classifications. Perhaps more striking than Mancari’s sound is the tender honesty and vulnerability present in each of her songs. Ann Powers describes Mancari’s writing as "lyrical and raw," commenting on the "great personality in her songs." As a gay woman in the south, she has fought hard to reconcile her spiritual beliefs with her sexuality. Her strong personality enables her to be a spokeswoman to the outcast and the misfit, helping her redefine the categories that so often divide people. Mancari explains, “It was not an easy road when I came out. No matter how hard I tried to fit into society’s molds, I could not. I want to be open and proud of who I am, because I needed people like that in my life when I was young.” Mancari hopes that people will find the bravery in her story and be able to discover their own inner strength.

When Mancari sings, she shines with authenticity. It is evident that Mancari knows exactly who she is, and her music has a strong sense of identity. But it is her refusal to subscribe to molds and societies trends that sets Mancari apart. Mancari is challenging all of us to throw away the old book and create a new genre of music. In a short time, Mancari has made a name for herself in Nashville and the southeast. She has toured and played with Margo Price, Hurray For The Riff Raff, The Lone Bellow, SUSTO, Joan Osborne, The Weeks, and more.

Apr-27-18 12:00 AM Wasabassco Late Night Burlesque Wasabassco is world-renowned for its disarmingly sexy combination of contemporary striptease and top-tier variety. Bringing together retro-glam sophistication and a playful sense of humor, events are carefully curated to feature only the finest talent, an eclectic range of jaw-dropping acts that change nightly.

Treat yourself to a well deserved date night hosted by Sapphire Jones with and all-star lineup of Wasabassco's favorite performers. The Best of The Best in The Greatest City In The World. So what are you doing this weekend?

“NYC's most legendary burlesque troupe” -Time Out

“ONE of the TOP 10 Best Burlesque Shows in the World” -Travel Channel

Apr-27-18 08:00 PM Jon Foreman It’s easy for a surfer to lose focus and fall into the steady pull of the crashing waves, and it’s easy for a musician to forget where they came from under the glaring lights, before a sea of adoring fans screaming their name. On a surfboard or on a stage, the ground is made of different matter, and truth defers to the engulfing chaos. Jon Foreman has treaded these waters for over 20 years, moored by the truth he carries in his bones.

In 1996, he began his music career heading an unassuming San Diego-based band, now known all over the world as the multi-platinum, Grammy-winning alt-rock group Switchfoot.

Always feeling that there was more music in him than hours in the day, Jon began releasing solo EPs in 2007. Beginning with the Seasons collection, 4 EPs released over the course of a year and followed by The Wonderlands, a collection of 24 songs each representing an hour of the day.

Born from solitary introspection, The Wonderlands’ 24 tracks blossom with the diverse yet cohesive contributions of 24 different producers, each interpreting the meaning of Jon's vocals through their own instrumental vision.

"Through song, I'm trying to explore the physical space of music. I wanted to create a place that would exist only when you press play; a place of light and shadows, tension and release, things that you know and things that you don't know. It's incredible that you can create a mood, almost a structure of feeling. All 24 songs will correspond with different moods of the day. At the end I'm going to do 25 concerts in 24 hours."

This spring, the film 25 IN 24 will be released worldwide on March 2018, documenting the improbable journey of playing 25 shows in 24 hours. In February of 2018, Jon and friends will embark on an 18 city tour of the US reliving the 24 hour experience through songs, and a screening of the film, 25 IN 24.